Sebastian Neitsch is a new digital artest and he really shows some pertential for the mediem the images to the right are of one of his resent projects where mechanical arms from the roof glow and follow around. this really shows the diverserty of proccessing although im making 2d animated imagery as long as somthing is electrical i could pertentoly translate it into sculpture and i think that is where i want to head in the futre but first i need to build the strong building blocks to the moveinto 3-d. on the foundation course i have found that for me to really be happy with my work i like to see it move. movment in art work especially reactive really caqptures me and i feel this piece is harnessing that by getting your attendtion then locking onto you. the sculpture is reflecting your intreast in it right back at you. a comincation between man and mechine looks to the future and asks how equal are we as we become more inderpendant on computers and mechines are we becoming more like them. my recent drawings have been like how a computer draws ... but does a computer everdraw there is always a person behind it creating that drawing but the style of the tools are what people look at when deciding wether its made ona computer or not.
he has also created this sound reactive room by mapping patterns onto the wall with a projecter they move , shake and destort to the sound recorded in through a drop down micriphone. this is exactly how i intend to make my sound reactive piece using live sound from the gallery space to produce movment and excitment in the imagery. the patterns hes chosen is unlike mine. he has taken what could be a wall design and made it surprise people by shifting colour and shape. mine is a piece of art (i think) when reacting or not. projection mapping as well as the sound reactiveness intreaguse me becuase of the entirety of the walls are covered in his imagery the light changes the space of the room as well bring an entire new dimension to the work and i imagen could be quite hypnotisiong to witness .
No comments:
Post a Comment