I've always followed a form of some kind when drawing the finger prints and wanted to see what happened if i just did it as i went along. be driven by the process of the lines and subject to error.
starting with the print i then chose to draw a line to one perspective point but stop at 5cm and the shifted to another perspective point 4cm and the switch to the final. what ended up happening because i was doing it stage by stage i was loosing track of certain points and there for having less and less to draw to the next perspective point a thinning began to appear dew to the layering of the lines. i find this very interesting because it is following a visual pattern rather than a structural and is not bound to the principles of 3-d but still has the illusion. the structure look mechanical like wires going into an engine or veins going into the skin branching out to reach every point. i really want to make a full body version of this taking the vain idea further possibly not worrying about body parts being joined but the veins link them up. its an exciting form of abstraction and merge of mechanic and organic influences.
the movement within the drawing i think is focused on the creation from the perspective point because of the build up i can see it animating easily into the finger print and back again following the lines. i need to start to try and create movement with my drawing this week and the plan is to use the volume of live recorded sound to move points along the x and y axis so the higher the volume the more the movement theoretically it should be possible but i will see.
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